Doré IX, 2026
Acrylic, reverse-painted on acrylic glass with 23 ct gold leaf
9 panels, 33 × 40.6 × 0.6 cm each (13 × 16 × ¼ in)
Overall: 99 × 121.9 × 0.6 cm (39 × 48 × ¼ in)
Detail | Doré IX, 2026
Installation view | Doré IX, 2026
Doré IX, 2026
Acrylic, reverse-painted on acrylic glass with 23 ct gold leaf
9 panels, 33 × 40.6 × 0.6 cm each (13 × 16 × ¼ in)
Overall: 99 × 121.9 × 0.6 cm (39 × 48 × ¼ in)
Detail | Doré IX, 2026
Installation view | Doré IX, 2026
Céruléen IX, 2026
Acrylic, reverse-painted on acrylic glass with 23 ct gold leaf
9 panels, 40.6 × 33 × 0.6 cm each (16 × 13 × ¼ in)
Overall: 121.9 × 99 × 0.6 cm (48 × 39 × ¼ in)
Detail | Céruléen IX, 2026
Installation view | Céruléen IX, 2026
Revêtement IX, 2026
Acrylic, reverse-painted on acrylic glass with 23 ct gold leaf
9 panels, 33 × 40.6 × 0.6 cm each (13 × 16 × ¼ in)
Overall: 99 × 121.9 × 0.6 cm (39 × 48 × ¼ in)
Detail | Revêtement IX, 2026
Installation view | Revêtement IX, 2026
Étoffe IX, 2026
Acrylic, reverse-painted on acrylic glass with 23 ct gold leaf
9 panels, 40.6 × 33 × 0.6 cm each (16 × 13 × ¼ in)
Overall: 121.9 × 99 × 0.6 cm (48 × 39 × ¼ in)
Detail | Étoffe IX, 2026
Installation view | Étoffe IX, 2026
Draw: The work begins with drawings made by hand
Cut: Stencils are cut by hand from adhesive tape.
Layer: Acrylic layers are applied behind the acrylic glass.
Surface: Paint builds up in relief, creating texture.
Gild: Gold leaf is applied by hand, piece by piece.
Light: The final work shifts with light and reflection.
Artist Statement
My practice investigates how perception shapes our experience of belonging. Through layered paintings on acrylic glass, I explore how memory, movement, and light continually transform the way we experience our surroundings. Rather than depicting specific landscapes, my work examines how environments are perceived, remembered, and reconstructed through looking.
Using reverse painting, hand-cut stencils, and scattered gold leaf, I create multi-panel works that exist as individual elements while forming a unified whole. As light changes and the viewer moves, subtle shifts in depth, reflection, and material presence emerge, inviting sustained observation rather than immediate resolution.
Growing up between France and Germany, and later living in the United States, shaped my understanding of belonging as something fluid rather than fixed. These experiences continue to inform a practice centered on fragmentation, layering, and perception.
I create paintings that change through the act of looking, inviting viewers to reflect on how memory, perception, and experience continually shape our understanding of belonging.
Biography
Annabelle Verhoye is a French-German visual artist based between New York and Munich. Her work investigates how perception shapes our experience of belonging through layered paintings and installations on acrylic glass that explore memory, light, material, and the act of looking.
She received an MFA from the School of Visual Arts in New York. Her work has been exhibited internationally and is held in private collections across Europe, the United States, Asia, and Australia.
Annabelle Verhoye Studio